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Put You On | Sinistarr

Weston "alldaywes" Wilkins
What's up! My name is alldaywes from Denver, Colorado and I have always been inspired by music’s ability to connect people and push boundaries, which is what I aim to do every week with the Jazz Odyssey program.
Sinistarr. Photo Credits: Sinistarr - Bandcamp

Sinistarr: Detroit Energy, No Genre Limits

If you’ve ever gone down a drum & bass rabbit hole, there’s a good chance you’ve stumbled across Sinistarr. His music doesn’t just sit neatly in one category. It spills over the edges in the best way. Coming out of Detroit, that makes sense. This is a city where electronic music has always been about pushing boundaries, not following rules. 

As Sinistarr himself puts it in a web interview with UKF editor Dave Jenkins, “Detroit was the melting pot. We’re in this great trade wind where we’d get things from the south, things from Canada, things from the UK […] Before you even get to the cultural, social and political elements… we also had all these inspirations flying around from other parts of the continent.” 

That constant flow of outside influence shaped the sound before you even get into the deeper cultural layers. You can hear that openness in his music.There’s a looseness and groove that feels inspired by J Dilla, mixed with the futuristic edge of classic Detroit techno. But it never feels forced or overly calculated. It just sounds natural. 

What really sets him apart is how he moves between styles. One minute it’s fast, rolling drum and bass, and the next minute it dips into halftime or even footwork territory. Instead of feeling like a random playlist, it all connects. That’s not easy to pull off, but he makes it feel effortless.

And honestly, Sinistarr’s music just hits. The drums have that punch you want on a proper system, but they’re not stiff or robotic. There’s swing, there’s space, and the basslines feel like they’re designed to rattle a room without overwhelming everything else. It’s that balance that keeps people locked in.

Even though he’s played all over the world, dropped tracks on some major labels, and collaborated with rising names in the scene, Sinistarr still feels like an underground artist at heart. There’s no chasing trends. If anything, he’s slightly ahead of them. He’s part of that group of producers who seem more interested in where music could go rather than where it already is.

At a time when electronic music can feel super boxed in, Sinistarr is a reminder that it doesn’t have to be like that. You can keep the energy of underground dance music and still experiment, still take risks, still surprise people. And that’s really the appeal. You don’t listen to Sinistarr just for a specific sound. You listen because you’re not exactly sure where he’s going to take you next.